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Pokom pages. Dizzyman pages. Mogudan - Ayanami Rei Images FANBOX [English] [Raknnkarscans] english translated rei ayanami f:anal f:big ass f:big breasts f:bloomers f:blowjob f:bunny girl f:cheating f:school swimsuit f:schoolgirl uniform.

Cosplay 10 pages Doujinshi 16 pages Neon Genesis Evangelion [Korean] korean translated neon genesis evangelion rei ayanami shinji ikari f:bbw f:big breasts f:bodysuit f:clothed paizuri f:emotionless sex f:nakadashi f:paizuri.

Doujinshi 31 pages Jerrew pages. Image Set 45 pages Doujinshi 72 pages Floripes 72 pages. Western 22 pages Doujinshi pages Floripes pages.

Evangelion Collection neon genesis evangelion asuka langley soryu misato katsuragi rei ayanami ritsuko akagi f:anal f:blowjob f:bondage f:exhibitionism f:nakadashi f:spanking f:yuri.

Image Set 59 pages WiNd MiLL 59 pages. Manga pages During Evangelion production and first broadcast Anno encountered many difficulties for her character, not feeling "particularly interested" and akin to her.

To better delineate her characterization and psychology he thought her as his own unconscious, "trying to put aside my presuppositions, trying to bring out the most primitive, the most core, the purest parts within me".

For example, in episode 8 she doesn't appear in any scene, while in episode 7 he "finally remembered her" giving Rei a brief appearance in one shot.

After many episodes he wanted to focus on her and "explore her emotion", adding Rei's stream of consciousness -like monologue in episode When Anno was working on the monologue he wanted to develop her in a " schizophrenic " direction and wondered how to portray a kind of madness.

At that moment, Rei, for me, was finished". In , Ogata herself stated to be somewhat "surprised" by her role and the laconic and introverted character of the character saying, "I have to challenge something new".

According to Hayashibara, since Rei "doesn't know emotion, there's no difference between what she says and feels. Rei Ayanami was born on a date never specified in the original series [26] [27] at Laboratory for Artificial Evolution's third branch.

In the deepest level of Nerv's headquarters named Terminal Dogma many Rei clones are kept, so that when one Rei dies she can be replaced by another.

When a clone is activated, although it remains characteristically distinct from all former incarnations, it is endowed with the soul of a being called Lilith , the second Angel.

Naoko suddenly recognizes Yui's facial features in the little girl's face and in an outburst of violence, she strangles and kills her, after which she commits suicide.

Following the death of the first Rei, a second clone is activated, which in moved to the first municipal middle school in Tokyo She also begins to become more aware of her own identity and desires.

After her sacrifice, Rei II is replaced by a third and final clone, suitably covered with bandages to conceal the truth. All the other bodies in Terminal Dogma are later destroyed by Dr.

Ritsuko Akagi, Naoko's daughter. During the impact, a shining figure of Rei is shown for a few frames looking down at Misato and Ritsuko moments before they die.

These spectral images also appear over the corpses of the slain Nerv personnel. She merges with Lilith, letting Shinji freely decide the course of Instrumentality, during which all of mankind unites into one collective consciousness.

When Shinji finally rejects Instrumentality, this figure disintegrates. Rei returns as a primary character in Rebuild of Evangelion and first appears in Evangelion: 1.

Her character remains virtually identical to the anime, acting as a pilot of Evangelion Unit and helping Shinji defeat Ramiel.

In a departure from her original traits, she attempts to host a dinner party for her fellow pilots. When Unit goes berserk, Shinji is shown forcing his way into the angel and pulling her out and the two embrace each other.

A different clone is introduced instead, who acts and thinks very differently to the other Rei, consistently maintaining a cold and silent demeanor.

In the official Neon Genesis Evangelion manga, written and drawn by Yoshiyuki Sadamoto, further differences are presented in the characterization of Rei.

In the manga, she is generally more empathetic and open to human contact compared to her animated counterpart. In the comic, moreover, the character has more space than Asuka, who in the anime, under the influence of Hideaki Anno, has a predominant role.

Compared to the classic series, Sadamoto tried to tread his hand on her relationship with Shinji, particularly insisting on the symbology of the touch of the hands and the theme of motherhood, inspired by Kazuo Umezu 's The Drifting Classroom.

In a scene from the fifth volume of the manga in which they are both at Rei's house, Rei gets burnt while preparing tea with Shinji and their hands touch for a moment.

Taking advantage of the opportunity, Rei invites Shinji to speak to his father and open up to him; in another chapter, thinking back to that moment, she wonders if her hands will one day be able to touch Shinji again.

In a scene from the last episode of the animated series, a parallel universe is presented with a completely different story compared to all the previous episodes; in this alternate reality, Rei is presented as a girl who has just moved into the class of Asuka and Shinji, with a radically different personality: cheerful, distracted and irascible.

Quest , [69] and in an official Shinkansen Henkei Robo Shinkalion cross-over episode. Rei Ayanami is a taciturn and shy girl who limits her personal relations as much as possible and mechanically executes any order given to her, even if particularly cruel.

Unlike other characters, she does not care if she dies and embraces death, "as if death is the only way to prove that she has lived".

According to Yoshiyuki Sadamoto , Rei is "translucent", like a shadow or "the air": "The kind of girl you can't touch.

The girl you long for, but there is nothing about her that you can grab a hold onto". In the twelfth episode, she states that she does not deem it necessary to write a will and reveals that she is a vegetarian.

This attitude is reflected in her personal apartment, completely neglected. In one episode Ritsuko Akagi states she, like commander Ikari, "is not very adept at living".

She's a very sad girl. She only has the barest minimum of what she needs to have". Anno also understands the Japanese national attraction to characters like Rei as the product of a stunted imaginative landscape born of Japan's defeat in the Second World War , because "since that time, the education we received is not one that creates adults".

An official Death and Rebirth booklet describes her as "an expressionless noh mask" and "a girl who does not dream". Although the two pilots occasionally converse with each other, they cannot communicate on an emotional level and do not understand their own feelings.

In one of the first scenes of the Evangelion anime, Shinji sees what appears to be a ghost of Rei Ayanami in a deserted city located near Neo Tokyo The Rei visible in the sequence is not real; the appearance is connected to the scenario of the film The End of Evangelion , released in as a conclusion to the classic series.

In the course of the film all forms of life come together in one being during the Instrumentality; human beings, shortly before dying, see Rei's ghosts appear, guiding them in the process as "messengers of redemption".

They also collated the other two protagonists of the show, Shinji and Asuka, with Susanoo and Ama-no-Uzume , respectively; Shinji, like Susanoo, acts clumsily and is not accepted by society, while Asuka, like Uzume, is sensual and flaunts her body.

In August and September it emerged in fourth and second place. Japanese critic Hiroki Azuma described Rei Ayanami as "an extremely impressive character", thanking the performance of Megumi Hayashibara and her psychological realism, since "Rei's solitude is grounded in a completely tactile substantiality which gives us extremely realistic images of the discommunication that children of the present face".

Part of the intrigue in the series is discovering the secrets she holds". A column in the 1st September issue of the Nihon Keizai Shimbun newspaper stated, on the occasion of Evangelion 1.

Soon after Evangelion first run Rei became so popular that it generated an explosion of merchandising , selling more than any other character of the series.

Action figures in particular enjoyed immediate and unconditional success. Rei Ayanami had a significant influence on Japanese animation and many subsequent fictional characters, [] with numerous heroines created after the great Evangelion success.

According to Japanese scholar Hiroki Azuma , this expanse is not linked to a direct Evangelion influence, since "the emergence of Ayanami Rei did not influence many authors so much as change the rules of the moe-elements sustaining otaku culture".

The author said he did not realize that because cool beauties do not show emotion, once she revealed her true feelings in the end, she become a completely different character.

Konaka denied a direct influence from Evangelion and, while appreciating their characteristics, he said he did not see many similarities between the two characters.

According to Kaichiro Morikawa, a Japanese architect and academic, there were a few main characters with physical defects before Evangelion and Rei Ayanami, such as Char Aznable from Mobile Suit Gundam , who has a scar on her forehead, and Princess Kushana from Nausicaä of the Valley of the Wind.

Japanese band Rey derived its name from her. From Wikipedia, the free encyclopedia. Fictional character in the media franchise Neon Genesis Evangelion.

Gendo Ikari legal guardian Yui Ikari biological source Lilith soul source. Rei-chan is very popular. I think that she's very quiet and doesn't wish to talk very much, and doesn't complain.

In Japan, I suppose that girls like that are very much desired. When Rei Ayanami first appeared, the self-esteem of the Japanese population was at an all-time low, as the economic bubble had just burst.

The empathy towards Ayanami, a wounded girl who climbs onto an artificial humanoid and silently fights her enemies, is rooted in that particular era.

In fact, an idol is a figure in whom one believes for unconscious reasons. Perhaps there is a great void in the heart of the Japanese people, a void that could not be filled even if the country's economy recovers from the crisis.

What is mysterious about Rei is that she has no past. Rei expands the market, and Gainax capitalizes on that. Evangelion is a very doujin-friendly series, for many scenes are not explained in details that fans can create their own versions of what the scenes entail.

Furthermore, Rei is a common character used in hentai doujin. Archived from the original on 20 February Retrieved 5 July Archived from the original on 11 July Neon Genesis Evangelion 3-in-1 Edition.

Viz Media. Newtype Magazine in Japanese. Kadokawa Shoten. December Archived from the original on July 19, Anno Hideaki Sukidzo Evangerion in Japanese.

November April 23, Archived from the original on September 9, Retrieved September 6, Archived from the original on June 5, Retrieved April 29, March Evangelion Encyclopedia in Italian.

Dynamic Italia. Zankoku na tenshi no you ni. Magazine Magazine. Monthly Anime Style in Japanese. Good Smile Company. April Retrieved April 20, Archived from the original on November 13, Yomiuri Shimbun.

Archived from the original on July 11, Archived from the original on June 28, August 6, Archived from the original on July 7, Retrieved March 3, Archived from the original on September 18, Archived from the original on December 9, Neon Genesis Evangelion Encyclopedia in Italian.

Sony Magazines. Archived from the original on December 27, Studio Gainax. Evangelion: 1. Studio Khara. Anime News Network. Retrieved September 12, Retrieved April 18, Ground Works.

Evangelion: 2. Evangelion: 3. Evangelion in Italian. Panini Comics. Retrieved November 17, Palgrave Macmillan.

Archived from the original on February 3, June October 5, Archived from the original on June 12, Retrieved April 15,

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Hideaki Anno conceived Rei Ayanami as a representation of his unconscious. Sadamoto, unlike the more frank and explicit Hideaki Anno, decided to give her a much more "enigmatic" and bland eros.

During Evangelion production and first broadcast Anno encountered many difficulties for her character, not feeling "particularly interested" and akin to her.

To better delineate her characterization and psychology he thought her as his own unconscious, "trying to put aside my presuppositions, trying to bring out the most primitive, the most core, the purest parts within me".

For example, in episode 8 she doesn't appear in any scene, while in episode 7 he "finally remembered her" giving Rei a brief appearance in one shot.

After many episodes he wanted to focus on her and "explore her emotion", adding Rei's stream of consciousness -like monologue in episode When Anno was working on the monologue he wanted to develop her in a " schizophrenic " direction and wondered how to portray a kind of madness.

At that moment, Rei, for me, was finished". In , Ogata herself stated to be somewhat "surprised" by her role and the laconic and introverted character of the character saying, "I have to challenge something new".

According to Hayashibara, since Rei "doesn't know emotion, there's no difference between what she says and feels.

Rei Ayanami was born on a date never specified in the original series [26] [27] at Laboratory for Artificial Evolution's third branch.

In the deepest level of Nerv's headquarters named Terminal Dogma many Rei clones are kept, so that when one Rei dies she can be replaced by another.

When a clone is activated, although it remains characteristically distinct from all former incarnations, it is endowed with the soul of a being called Lilith , the second Angel.

Naoko suddenly recognizes Yui's facial features in the little girl's face and in an outburst of violence, she strangles and kills her, after which she commits suicide.

Following the death of the first Rei, a second clone is activated, which in moved to the first municipal middle school in Tokyo She also begins to become more aware of her own identity and desires.

After her sacrifice, Rei II is replaced by a third and final clone, suitably covered with bandages to conceal the truth.

All the other bodies in Terminal Dogma are later destroyed by Dr. Ritsuko Akagi, Naoko's daughter. During the impact, a shining figure of Rei is shown for a few frames looking down at Misato and Ritsuko moments before they die.

These spectral images also appear over the corpses of the slain Nerv personnel. She merges with Lilith, letting Shinji freely decide the course of Instrumentality, during which all of mankind unites into one collective consciousness.

When Shinji finally rejects Instrumentality, this figure disintegrates. Rei returns as a primary character in Rebuild of Evangelion and first appears in Evangelion: 1.

Her character remains virtually identical to the anime, acting as a pilot of Evangelion Unit and helping Shinji defeat Ramiel.

In a departure from her original traits, she attempts to host a dinner party for her fellow pilots. When Unit goes berserk, Shinji is shown forcing his way into the angel and pulling her out and the two embrace each other.

A different clone is introduced instead, who acts and thinks very differently to the other Rei, consistently maintaining a cold and silent demeanor.

In the official Neon Genesis Evangelion manga, written and drawn by Yoshiyuki Sadamoto, further differences are presented in the characterization of Rei.

In the manga, she is generally more empathetic and open to human contact compared to her animated counterpart. In the comic, moreover, the character has more space than Asuka, who in the anime, under the influence of Hideaki Anno, has a predominant role.

Compared to the classic series, Sadamoto tried to tread his hand on her relationship with Shinji, particularly insisting on the symbology of the touch of the hands and the theme of motherhood, inspired by Kazuo Umezu 's The Drifting Classroom.

In a scene from the fifth volume of the manga in which they are both at Rei's house, Rei gets burnt while preparing tea with Shinji and their hands touch for a moment.

Taking advantage of the opportunity, Rei invites Shinji to speak to his father and open up to him; in another chapter, thinking back to that moment, she wonders if her hands will one day be able to touch Shinji again.

In a scene from the last episode of the animated series, a parallel universe is presented with a completely different story compared to all the previous episodes; in this alternate reality, Rei is presented as a girl who has just moved into the class of Asuka and Shinji, with a radically different personality: cheerful, distracted and irascible.

Quest , [69] and in an official Shinkansen Henkei Robo Shinkalion cross-over episode. Rei Ayanami is a taciturn and shy girl who limits her personal relations as much as possible and mechanically executes any order given to her, even if particularly cruel.

Unlike other characters, she does not care if she dies and embraces death, "as if death is the only way to prove that she has lived".

According to Yoshiyuki Sadamoto , Rei is "translucent", like a shadow or "the air": "The kind of girl you can't touch. The girl you long for, but there is nothing about her that you can grab a hold onto".

In the twelfth episode, she states that she does not deem it necessary to write a will and reveals that she is a vegetarian.

This attitude is reflected in her personal apartment, completely neglected. In one episode Ritsuko Akagi states she, like commander Ikari, "is not very adept at living".

She's a very sad girl. She only has the barest minimum of what she needs to have". Anno also understands the Japanese national attraction to characters like Rei as the product of a stunted imaginative landscape born of Japan's defeat in the Second World War , because "since that time, the education we received is not one that creates adults".

An official Death and Rebirth booklet describes her as "an expressionless noh mask" and "a girl who does not dream". Although the two pilots occasionally converse with each other, they cannot communicate on an emotional level and do not understand their own feelings.

In one of the first scenes of the Evangelion anime, Shinji sees what appears to be a ghost of Rei Ayanami in a deserted city located near Neo Tokyo The Rei visible in the sequence is not real; the appearance is connected to the scenario of the film The End of Evangelion , released in as a conclusion to the classic series.

In the course of the film all forms of life come together in one being during the Instrumentality; human beings, shortly before dying, see Rei's ghosts appear, guiding them in the process as "messengers of redemption".

They also collated the other two protagonists of the show, Shinji and Asuka, with Susanoo and Ama-no-Uzume , respectively; Shinji, like Susanoo, acts clumsily and is not accepted by society, while Asuka, like Uzume, is sensual and flaunts her body.

In August and September it emerged in fourth and second place. Japanese critic Hiroki Azuma described Rei Ayanami as "an extremely impressive character", thanking the performance of Megumi Hayashibara and her psychological realism, since "Rei's solitude is grounded in a completely tactile substantiality which gives us extremely realistic images of the discommunication that children of the present face".

Part of the intrigue in the series is discovering the secrets she holds". A column in the 1st September issue of the Nihon Keizai Shimbun newspaper stated, on the occasion of Evangelion 1.

Soon after Evangelion first run Rei became so popular that it generated an explosion of merchandising , selling more than any other character of the series.

Action figures in particular enjoyed immediate and unconditional success. Rei Ayanami had a significant influence on Japanese animation and many subsequent fictional characters, [] with numerous heroines created after the great Evangelion success.

According to Japanese scholar Hiroki Azuma , this expanse is not linked to a direct Evangelion influence, since "the emergence of Ayanami Rei did not influence many authors so much as change the rules of the moe-elements sustaining otaku culture".

The author said he did not realize that because cool beauties do not show emotion, once she revealed her true feelings in the end, she become a completely different character.

Konaka denied a direct influence from Evangelion and, while appreciating their characteristics, he said he did not see many similarities between the two characters.

According to Kaichiro Morikawa, a Japanese architect and academic, there were a few main characters with physical defects before Evangelion and Rei Ayanami, such as Char Aznable from Mobile Suit Gundam , who has a scar on her forehead, and Princess Kushana from Nausicaä of the Valley of the Wind.

Japanese band Rey derived its name from her. From Wikipedia, the free encyclopedia. Fictional character in the media franchise Neon Genesis Evangelion.

Gendo Ikari legal guardian Yui Ikari biological source Lilith soul source. Rei-chan is very popular. I think that she's very quiet and doesn't wish to talk very much, and doesn't complain.

In Japan, I suppose that girls like that are very much desired. When Rei Ayanami first appeared, the self-esteem of the Japanese population was at an all-time low, as the economic bubble had just burst.

The empathy towards Ayanami, a wounded girl who climbs onto an artificial humanoid and silently fights her enemies, is rooted in that particular era.

In fact, an idol is a figure in whom one believes for unconscious reasons. Perhaps there is a great void in the heart of the Japanese people, a void that could not be filled even if the country's economy recovers from the crisis.

What is mysterious about Rei is that she has no past. Rei expands the market, and Gainax capitalizes on that. Evangelion is a very doujin-friendly series, for many scenes are not explained in details that fans can create their own versions of what the scenes entail.

Furthermore, Rei is a common character used in hentai doujin. Archived from the original on 20 February Retrieved 5 July Archived from the original on 11 July Neon Genesis Evangelion 3-in-1 Edition.

Viz Media. Newtype Magazine in Japanese. Kadokawa Shoten. December Archived from the original on July 19, Double cock action with enthusiastic chickk Asuka.

Japanese cutie Rei Himekawa. Remove ads Ads by TrafficFactory. Hentai girl fucking 5 min Zxkyh - k Views -. Hentai music video 2 3 min Mehman - Mini skirt babe Asuka Ayanami fucked inside out and creampied 8 min AV 69 - 1.

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Doujinshi 31 pages Jerrew pages. Image Set 45 pages Doujinshi 72 pages Floripes 72 pages. Western 22 pages Doujinshi pages Floripes pages. Evangelion Collection neon genesis evangelion asuka langley soryu misato katsuragi rei ayanami ritsuko akagi f:anal f:blowjob f:bondage f:exhibitionism f:nakadashi f:spanking f:yuri.

Image Set 59 pages WiNd MiLL 59 pages.

She is revealed to be a key factor in the events that conclude the storyline. Mogudan - Ayanami Rei Images FANBOX [English] [Raknnkarscans] english translated rei ayanami Huge pumped pussy f:big ass f:big breasts f:bloomers f:blowjob f:bunny girl f:cheating f:school swimsuit f:schoolgirl uniform. One last bang before the wedding torrent January 28, Hot slutty teen entai Michelle mcgee xxx erse. Antrocom in Italian.

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